Our guide in the film is Arthur Pratt, a Sierra Leonean filmmaker and pastor. Arthur’s unique access, narrative voice, and observational documentary coverage of the outbreak becomes a prism for understanding both the political and personal significance of the health catastrophe.

Survivors interweaves the heroic stories of Mohamed Bangura, the senior ambulance driver at the country’s main ambulance dispatch location and Margaret Sesay, a nurse who works at the EMERGENCY Ebola treatment center in Freetown caring for some of the sickest patients. Through intimate vérité footage of these characters’ daily lives, the film not only explores how the epidemic ravaged families and communities, but it also reveals broken infrastructures, deep misunderstandings between international aid organizations and the communities they serve, as well as unresolved political tensions after the decade-long civil war. In this way, Survivors profoundly wrestles with what it means to be Sierra Leonean at this critical juncture in the country’s history.






Mohamed Bangura


Mohamed is the senior ambulance driver at the Fire Force ambulance park in Freetown, Sierra Leone. Through Mohamed’s story, we come to understand the power of individual everyday heroes in shaping the future of their community – and country, as a whole.

“Even before this Ebola situation I had given my life to this job and to keep my people healthy. If I am not here to do this job who else will?”



Margaret Kabba Sesay


Margaret has worked as a nurse from the outbreak’s earliest days, but hasn’t told her family because she’s worried they’ll force her out of the house. However, Margaret finds both solace – and a means to heal her patients – through the power of prayer. We see her working rigorously, both with western medicine and through her faith.

“In God’s eyes we are all equal. We all are one and we all are the same. If someone dies today, in my own spiritual knowledge, it simple means his or her own time has reached to die. Today God said it’s time to go.”



Foday Koroma


Foday is a 14-year-old boy living on the streets near Susan’s Bay, one of Freetown’s slum neighborhoods. Foday, who is known on the streets as “Superb the King,” stays with a few other children and they collect and sell metal to ‘find their survival’.

“It’s more than two years now. We look for things on the streets. That’s how we find our survival.”



Kadija Kanu


Kadija risks her life working as a nurse every day, shuttling those suspected of having Ebola from their homes to the overwhelmed treatment centers in Freetown.



Ibrahim & Kadiatu


Kadiatu Conte is a seventeen-year-old mother who is separated from her 18-month-old son, Ibrahim, when he begins to show signs of Ebola. Kadiatu never tests positive for Ebola, but her household is hit hard. We first meet Kadiatu at a holding center, where Nurse Kadija has to separate her from her son for the latter’s treatment. Then Kadiatu and her entire compound are quarantined for 21 days. Inside the compound, the women are confined to helping each other and their children, while the men routinely break the quarantine to go work. Ibrahim and Kadiatu’s aunt both survive and return to join the quarantined household.

“When my family visits him they say he is doing fine, but my heart is still confused until I see him with my own eyes. I think that they are hiding something from me.”




Arthur Pratt


Arthur is a Sierra Leonean filmmaker and community leader based in Freetown, Sierra Leone. He is both a filmmaker and acts as a guide and is an important character. Through Arthur’s lens, we meet Mohamed Bangura, the senior ambulance driver at the country’s main emergency vehicle dispatch center; and Margaret Kabba Sesay, a nurse who works in the intensive care unit at the Emergency Ebola treatment center in Freetown.

“For me the greatest miracle is to make a change in the life of somebody.”